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A documentary short about Latinx LGBT life in San Francisco from the 1970s to the 1990s, focusing upon 16th Street in the Mission District. The film also addresses community responses to HIV/AIDS.

Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective. From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Footage of the 1976 Castro Street Fair including an interview with Harvey Milk, taken by Daniel Smith, a member of the Queer Blue Light Video collective. From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective. From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Footage of the 1978 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective. Includes brief interviews with passersby and footage of street performers and vendors. From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Footage of the 1978 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective. Includes footage of musical performances and street vendors. The end of this tape also includes footage of a community theater performance. From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Cassette was held in a box labeled "Robert N. Hunter" videos. The video features footage of police presence and harassment at the 1981 International Lesbian & Gay Freedom Day Parade in San Francisco.

A tape from the Daniel A. Smith and Queer Blue Light Videotapes collection. Queer Blue Light was a gay activist video collective active in San Francisco in the 1970s. Daniel Smith was a member of the collective. The physical tape is labeled "502 Flag." It includes footage of a Ron Lanza campaign meeting. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos.

Video for Rev. Jim Robinson's 1990 San Francisco Board of Supervisors campaign. In the video, Robinson attacks the "Homosexual Dominated Political Establishment."

Susan Stryker interviews Aleshia Brevard, an actor, model, author, theatre professor, and trans woman. In the late 1950s and early 1960s, Brevard worked at Finocchio's drag revue as a Marilyn Monroe impersonator; a trans co-worker, Stormy, helped her to begin transitioning. She lived at the edge of the Tenderloin, and although she was not a central part of the trans community there, she felt more comfortable there than elsewhere. Stryker interviews Brevard about her early drag career, her transition, and the bars and venues where she spent time. This includes extensive attention to the culture and working conditions at Finocchio's. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens.

Susan Stryker interviews Aleshia Brevard, an actor, model, author, theatre professor, and trans woman. In the late 1950s and early 1960s, Brevard worked at Finocchio's drag revue as a Marilyn Monroe impersonator. In this section, Brevard narrates over a series of photographs from her career in entertainment. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens.

Susan Stryker interviews Amanda St. Jaymes, a trans woman who moved to the Tenderloin in December 1963 at the age of 19. St. Jaymes worked at the Chukker Club, a 1960s venue frequented by trans people, and later went to clerical school; in 1972, after her transition, she married and moved to Houston, falling out of contact with most of the people she'd known. In this section, St. Jaymes reminisces about her Tenderloin era, describing the clientele at Compton's and Chukkers (as locals called it), her forays into sex work, police harassment and brutality, and her memories of the Compton's Cafeteria Riot. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens.

Susan Stryker interviews Amanda St. Jaymes, a trans woman who moved to the Tenderloin in December 1963 at the age of 19. St. Jaymes worked at the Chukker Club, a 1960s venue frequented by trans people, and later went to clerical school; in 1972, after her transition, she married and moved to Houston, falling out of contact with most of the people she'd known. In this section, St. Jaymes reminisces about Finocchio's and other venues, her time in Houston, well-known strippers and performers who crossed paths with her, the Central City Anti-Poverty Program, and her experiences transitioning. She also narrates over photos and ephemera from earlier in her life. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens.