TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
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Vanguard 1966 Street Sweep Photographs 2021-21 | Photographs of Vanguard's 1966 Street Sweep demonstration in San Francisco. Vanguard was an organization of LGBTQ youth and others living on the streets of the Tenderloin district in San Francisco. The Street Sweep was organized to demonstrate their commitment to the neighborhood and to protest ongoing police harassment. This collection also contains photographs of another protest and a few unidentified subjects. |
1966 | |
Boetger (Richard) photographs 2004-08 | Collection consists of black and white and color photographs, negatives, slides, and contact sheets produced by photographer Richard Boetger in the early 1970s. Many of the items in the collection are portraits of male nudes but also include a few portraits of women and ballet dancers, as well as a framed photograph of opera singer Birgit Nilsson.
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Nude man (1) | A photograph of a nude man. |
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Dewsnap James 1999-19 | The James Dewsnap collection contains two full-length nude portraits of Scott O'Hara by San Francisco artist David Ross; transcripts of 16 interviews from 1994 that Dewsnap conducted with Jackie Phillips, the lead "comedienne" at Finocchio's from the late 1950s to the mid-1970s; and an unpublished book-length typescript on Phillips’ life, called "Oh, what a drag! The life and career of Wacky Jackie Phllips, Finocchio's riotous redhead, as told to Jim Dewsnap." |
1994 | |
Harvey Milk's Birthday - Man in Leather Vest on Motorcycle | A man posing on a motorcycle on the sidewalk outside of "Snow Peas" diner.
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1982 | |
Castro Street-Torn denim shorts | Close up image of a man's torn denim shorts.
glbths_1993-11P-2B_11_001 |
1978 to 1979 | |
Gay Games 2 - Two Women Embracing | Two women kissing and embracing, one has a purple ribbon around her neck. |
1986-06 | |
International Lesbian and Gay Freedom Day Parade - Group Marching with Rainbow Flag | A group of people carrying a large rainbow flag in the International Lesbian & Gay Freedom Day Parade. |
1986-06 | |
Gay Freedom Day - Gay American Indians contingent | Members of the Gay American Indians contingent at the Gay Freedom Day parade. |
1978-06 | |
Gay Freedom Day - Harvey Milk Observing | Supervisor Harvey Milk leaning up against a vehicle waiting to speak at Civic Center Plaza on Gay Freedom Day, June 25, 1978. Supervisor milk wears a white ringer t-shirt with red trim, a pink lei, a black armband with a pink triangle, and holds a bunch of daises in one hand. |
1978-06-25 | |
Gay Freedom Day - Harvey Milk on Car | Supervisor Harvey Milk sitting on the roof of a car driven by his campaign manager and legislative aide, Anne Kronenberg, through the June 25, 1978 Gay Freedom Day parade procession. Harvey Milk is wearing a black arm band with a pink triangle and is holding up a sign that says "I'm from Woodmere, N.Y." while waving to the crowd. |
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Castro Street - Two couples | Image of two couples sitting on porch steps |
1978 to 1979 | |
Roz Joseph photograph 002 | Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Roz Joseph photograph 003 | Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Roz Joseph photograph 001 | Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Joseph (Roz) Photographs, 2010-08 | Roz Joseph (1926–2019) was a San Francisco-based photographer who in the mid-1970s photographed the pageantry and activism of the city’s diverse drag cultures at Gay Freedom Day parades, Halloween celebrations, Imperial Court coronations and drag and costume balls. The collection consists of matted color photographic prints, notebooks of slides, interviews and manuscript materials, and various ephemera. |
1975 to 1984 | |
Roz Joseph photograph 006 "Ambi Sextrous" | "Ambi Sextrous." Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Roz Joseph photograph 005 "Ricky" | "Ricky". Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Roz Joseph photograph 004 | Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Roz Joseph photograph 007 | Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s. |
1975 | |
Carhaix (Jean-Baptiste) Papers, 2019-39 | Jean-Baptiste Carhaix (1946-2023) was a French photographer. The collection includes photographs of early members of the Sisters of Perpetual Indulgence and images of events, including AIDS fundraisers and marches. |
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Lyon-Martin House oral histories, 2023-52 | Oral history recordings and supplemental material for the Lyon-Martin House Oral History Project. Interviewees include: Kendra Mon, Pauline Shulman, Diane McCarney, Kate Kendell, Marcia Gallo, and Margie Adam. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. The oral history project documents the narrators’ memories of the Lyon-Martin House as a social and activist space, as well as of Lyon and Martin. |
2022 to 2023 | |
Kate Kendell oral history interview transcript | Oral History Interview: Kate Kendell, Interviewed by Keilina Heinz for the Lyon- Martin House Project.
ABSTRACT:
Kate Kendell is former longtime (1996-2018) Executive Director of the National Center for Lesbian Rights and current Chief of Staff at the California Endowment. She met Del Martin and Phyllis Lyon in 1993 or 1994 at an American Civil Liberties Union or National Center for Lesbian Rights event. Soon after she began monthly lunches with them in their home, where they would regale her with stories and history. She discusses the home, the living room with their chairs and the view, and their kitchen nook as special places in the home. She discusses parties from the 1950s and 1960s she had heard about there, including the curtains they would put up so women would feel comfortable dancing together. Kendell also underscores the importance of the outside stairs and position of the picture window from the sidewalk, where she could wave to Phyllis in her advanced age and they would blow each other a kiss. She underscores the parallel of the house’s modesty to Del and Phyllis’s modesty as “how they moved in the world.” Kendell imagines the space being used for LGBTQ and women’s political salons, community conversations, and community gardening. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Kendra Mon oral history interview recording | Kendra Mon oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Kendra Mon is Del Martin’s biological daughter, from Martin’s first marriage. She lived with Del and Phyllis sometimes as a teenager and as an adult was in their lives across the rest of their lives. She describes the early decor of the home and her initial impressions of how small it was. She also describes some early parties in the home. Kenrda also describes how the house was adapted to Del and Phyllis’ needs as they aged. In addition, she notes the archival quality of their home, where they collected photos, news clippings, books related to women’s accomplishments, lesbian and gay issues, their own publishing, and records of their lives and activism, stored in the basement and throughout the house. Kendra also discusses how Phyllis’ caregiving was funded through community-based small loans against the assumed resale value of the property after she passed. She describes holidays at their home. Her vision for the house is to move it to some kind of LGBTQ “pioneer village” where it would be a tourist attraction with other well-known LGBTQ people’s homes. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Kendra Mon oral history interview transcript | Lyon-Martin House Oral History Project interview with Kendra Mon.
ABSTRACT:
Kendra Mon is Del Martin’s biological daughter, from Martin’s first marriage. She lived with Del and Phyllis sometimes as a teenager and as an adult was in their lives across the rest of their lives. She describes the early decor of the home and her initial impressions of how small it was. She also describes some early parties in the home. Kenrda also describes how the house was adapted to Del and Phyllis’ needs as they aged. In addition, she notes the archival quality of their home, where they collected photos, news clippings, books related to women’s accomplishments, lesbian and gay issues, their own publishing, and records of their lives and activism, stored in the basement and throughout the house. Kendra also discusses how Phyllis’ caregiving was funded through community-based small loans against the assumed resale value of the property after she passed. She describes holidays at their home. Her vision for the house is to move it to some kind of LGBTQ “pioneer village” where it would be a tourist attraction with other well-known LGBTQ people’s homes. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
VPHB-MAQ-19-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-2-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-20-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-21-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-22-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-23-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-24-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-25-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-3-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-4-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-5-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-6-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-7-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-8-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
VPHB-MAQ-9-CARHAIX-avril-1983 | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Vicious making up 1983. JBCarhaix | Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
BEFORE BIG SLEEP août 1989-3-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
BEFORE BIG SLEEP août 1989-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
BIG SLEEP 1989-2-J-B-CRHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
BIG SLEEP août 1989-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Marcia Gallo oral history interview recording [part 1] | Marcia Gallo oral history interview recording [part 1] for the Lyon-Martin House Oral History Project.
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo oral history interview recording [part 2] | Marcia Gallo oral history interview recording [part 2] for the Lyon-Martin House Oral History Project.
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo oral history interview transcript | Oral History Interview: Marcia Gallo Interviewed by Keilina Heinz for the Lyon-Martin House Oral History Project
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Margie Adam oral history interview transcript | Margie Adam Interview Lyon-Martin House Oral History Project
ABSTRACT
Margie Adam is a singer-songwriter and activist. She met Del Martin and Phyllis Lyon in the 1970s through her partner. She talks about walking up to the Lyon-Martin house as a “pilgrimage” for lesbian feminists of her generation, noting that their picture window looked out on San Francisco and the world. This was symbolic of Del and Phyllis’ expansive view of life and activism. She describes the power of the small house, going to parties there in “shifts,” because so many people wanted to attend, but couldn’t fit inside the house at the same time. Margie was also part of a group of women who took it upon themselves to help Del and Phyllis stay in their home as they aged, trying to get a chairlift installed and arranging for caregivers (or “carers” as Margie describes them). She imagines the future use of the house as an archive or retreat focused on lesbian history, broadly defined. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman and Diane McCarney oral history interview recording | Pauline Shulman and Diane McCarney oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Pauline Shulman and Diane McCarney were neighbors of Del and Phyllis from 1994 onward, across the street at Newburg and Duncan, three doors down. They had sightlines into one another’s homes from their kitchen windows. Their friendship evolved as Pauline and Diane supported them in their aging. Diane drove them to their 2004 marriage before then-Mayor Gavin Newsom, and they were their escorts to their 2008 City Hall marriage. They tell stories of the longtime goodwill of the neighborhood toward Del and Phyllis going back to the 1950s. They describe how Del and Phyllis politicized them initially through neighborhood politics related to gentrification. They give a lot of details of the furnishings and art as well as how Del and Phyllis used the garden and rooms in the house, including at the end of Phyllis’ life. They also detail the caregiving model in her later years. They describe their walkthrough video of the house after Phyllis passed, which has also been donated. They express interest in the space being recreated in ways that give the rooms “narratives” about its lived-in history for Del and Phyllis as well as an artist-in-residency and lecture/salon program, in a “living and breathing kind of way, not like a stilted sort of museum sort of thing....Something with a community spirit.” Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman and Diane McCarney oral history interview transcript | Pauline Shulman and Diane McCarney oral history interview for the Lyon-Martin House Oral History project.
ABSTRACT:
Pauline Shulman and Diane McCarney were neighbors of Del and Phyllis from 1994 onward, across the street at Newburg and Duncan, three doors down. They had sightlines into one another’s homes from their kitchen windows. Their friendship evolved as Pauline and Diane supported them in their aging. Diane drove them to their 2004 marriage before then-Mayor Gavin Newsom, and they were their escorts to their 2008 City Hall marriage. They tell stories of the longtime goodwill of the neighborhood toward Del and Phyllis going back to the 1950s. They describe how Del and Phyllis politicized them initially through neighborhood politics related to gentrification. They give a lot of details of the furnishings and art as well as how Del and Phyllis used the garden and rooms in the house, including at the end of Phyllis’ life. They also detail the caregiving model in her later years. They describe their walkthrough video of the house after Phyllis passed, which has also been donated. They express interest in the space being recreated in ways that give the rooms “narratives” about its lived-in history for Del and Phyllis as well as an artist-in-residency and lecture/salon program, in a “living and breathing kind of way, not like a stilted sort of museum sort of thing....Something with a community spirit.” Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman video tour of the Lyon-Martin House | Pauline Shulman video tour of the Lyon-Martin House, supplemental material for the Lyon-Martin Oral History Project. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo and Phyllis Lyon | Photograph of Phyllis Lyon and Marcia Gallo, supplemental material for the Lyon-Martin House Oral History Project. |
2019 | |
Kate Kendell oral history interview recording | Kate Kendell oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Kate Kendell is former longtime (1996-2018) Executive Director of the National Center for Lesbian Rights and current Chief of Staff at the California Endowment. She met Del Martin and Phyllis Lyon in 1993 or 1994 at an American Civil Liberties Union or National Center for Lesbian Rights event. Soon after she began monthly lunches with them in their home, where they would regale her with stories and history. She discusses the home, the living room with their chairs and the view, and their kitchen nook as special places in the home. She discusses parties from the 1950s and 1960s she had heard about there, including the curtains they would put up so women would feel comfortable dancing together. Kendell also underscores the importance of the outside stairs and position of the picture window from the sidewalk, where she could wave to Phyllis in her advanced age and they would blow each other a kiss. She underscores the parallel of the house’s modesty to Del and Phyllis’s modesty as “how they moved in the world.” Kendell imagines the space being used for LGBTQ and women’s political salons, community conversations, and community gardening. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Groupe SPI août 1989-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Groupe SPI août 1989-3-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Groupe SPI août 1989-4-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Groupe SPI août 1989-5-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Les trois Grâces juillet 1989-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
PICNIC-1987-1-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
PICNIC-1987-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-1-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-3-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-15-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-17-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-18-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-19-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-20-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-21-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-3-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-5-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-6-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-4-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-5-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-6-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-7-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess août 1984-8-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1983-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-11-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-12-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-13-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-14-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-7-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-8-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-9-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Reverend Mother the Abbess juillet 1984-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
SADIE SADIE-1983-JBC | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Sister Boom Boom août 1983-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Sister Boom Boom août 1983-3-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Sister Boom Boom août 1983-4-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Sister Boom Boom août 1983-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
Sister Boom Boom août 1984-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
BURNT FOREST août 1989-2-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
BURNT FOREST août 1989 J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
CHARIOT OF NUNS août 1987-1-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
CHARIOT OF NUNS août 1987-2-J-B-CARHAIX. | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
CHARIOT OF NUNS août 1987-3-J-B-CARHAIX. | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 | |
CHARIOT OF NUNS août 1987-4-J-B-CARHAIX. | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 to 1989 |