TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
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Poetry by David Cannon Dashiell (2) | A collection of poems by David Cannon Dashiell. |
1983 | |
Dashiell (David Cannon) papers 2001-36 | This collection documents the creative works of artist David Cannon Dashiell. This collection includes written, conceptual, and design works produced from the middle 1970s through 1993 when the artist died. Personal items in the collection are limited to a small cache of photographs and slides. |
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Poetry by David Cannon Dashiell (1) | A collection of poems by David Cannon Dashiell. |
1984 | |
Prose by David Cannon Dashiell | Prose works by David Cannon Dashiell. |
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An Imaginary Manifesto | David Cannon Dashiell's "An Imaginary Manifesto." |
1993 | |
David Cannon Dashiell notebook [1] | An art planning notebook by David Cannon Dashiell. |
1989 | |
Invert, Oracle catalog | The catalog to David Cannon Dashiell's tarot-themed exhibition, "Invert, Oracle." |
1989 | |
Photographs of David Cannon Dashiell | PDF scans of photographs of David Cannon Dashiell, his partner, his home, and his friends. |
1980 to 1990 | |
Queer Mysteries exhibition description | Description of David Cannon Dashiell's Queer Mysteries exhibition. |
1993 | |
Music criticism by David Cannon Dashiell | Various music criticism pieces written by David Cannon Dashiell, as "Biff Bourguignon," for the publication California Voice. |
1983 | |
Poetry by David Cannon Dashiell (3) | A collection of poems by David Cannon Dashiell. |
1983 | |
Pearls Over Shanghai poster | Poster for the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2010 | |
Hot Greeks poster | Poster for the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. |
2010 | |
Mother Fu costume | Costume for the character, Mother Fu (performed by Russell Blackwood) from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Russell Blackwood's smoking jacket | Smoking jacket worn by Russell Blackwood (Thrillpeddlers founder and artistic director) during introductions to shows at The Hypnodrome theatre.
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2004 to 2017 | |
Yellow insect headpiece | Yellow insect headpiece used as part of a costume in an unidentified Thrillpeddlers production. This item is undated. |
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Russell Blackwood as Mother Fu in Pearls Over Shanghai [1] | 2009 | ||
Russell Blackwood as Mother Fu in Pearls Over Shanghai [2] | 2009 | ||
Blood Bucket Ballyhoo tech lighting map | Tech lighting map for the Thrillpeddlers production, Blood Bucket Ballyhoo. |
2005 | |
Hypnodrome Theatre installation photographs | A series of photographs mounted on poster board depicting the installation of the Hypnodrome Theatre, the long time home of the Thrillpeddlers located in the SoMa district of San Francisco. |
2003 to 2004 | |
Hot Greeks headpiece [2] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [3] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
Purple costume from Pearls Over Shanghai | Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Tinsel Tarts in a Hot Coma poster, 2013 | 2013 | ||
Audacious Artefacts poster | 2004 to 2017 | ||
Shocktoberfest 2000 poster | 2000 | ||
Welcome to the Hypnodrome set design | 2004 | ||
Creepshow Camp poster | Poster advertising Creepshow Camp, an arts education program that taught horror and science fiction performance skills to youth. |
2006 to 2017 | |
Blood Bucket Ballyhoo poster | 2005 | ||
Shocktoberfest 2002 poster | 2002 | ||
Welcome to the Hypnodrome poster | 2004 | ||
The Bloody Debutant stage designs | Stage designs for the Thrillpeddler's production, The Bloody Debutant. |
2014 | |
Sequined costume from Pearls Over Shanghai | Sequined costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Hot Greeks headpiece [2] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [2] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [3] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
Hot Greeks headpiece [3] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
Mother Fu costume (front) | Costume for the character, Mother Fu (performed by Russell Blackwood) from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
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Mother Fu costume (rear) | Costume for the character, Mother Fu (performed by Russell Blackwood) from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
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Purple costume from Pearls Over Shanghai [1] | Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Purple costume from Pearls Over Shanghai [2] | Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Purple costume from Pearls Over Shanghai [3] | Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Sequined costume from Pearls Over Shanghai [1] | Sequined costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Sequined costume from Pearls Over Shanghai [2] | Sequined costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn. |
2009 to 2014 | |
Thrillpeddlers collection 2018-85 | Thrillpeddlers was a San Francisco-based multigenerational queer theater company specializing in Grand Guignol plays and Theatre of the Ridiculous. |
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Hot Greeks headpiece [1] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
Hot Greeks headpiece [1] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
Hot Greeks headpiece [1] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
A Visit to Mrs. Birch and the Young Ladies of the Academy script with cues | Script for the opening scene of the Thrillpeddlers production, A Visit to Mrs. Birch and the Young Ladies of the Academy, containing stage cues and other annotations. This production was featured as part of Shocktoberfest 14. |
2013 | |
Farewell to the Hypnodrome program | Program for the Thrillpeddlers show, Farewell to the Hypnodrome. Farewell to the Hypnodrome was the final Thrillpeddlers' production held at the Hypnodrome Theatre due to the sudden sale of the building. Ticket sales revenue for this show were used to help cover the cost of moving. |
2017-02-14 | |
Tinsel Tarts in a Hot Coma costume meeting minutes | 2013-02-18 | ||
Shocktoberfest XV master FX list | Chart listing special effects used during Shocktoberfest XV. |
2014-10 | |
Tinsel Tarts in a Hot Coma cue sheet | 2013 | ||
Hot Greeks set piece | Set piece reading "Alwayz Eze" used in the Thrillpeddlers production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. |
2010 | |
Helene Aylon subject file | A subject file on the artist Helene Aylon. |
1975 to 1980 | |
SUB-EPH Folder Presidio Theater (Underground Cinema) 1966 | Presidio Theater film screening schedule March 5 through May 7, 1966. |
1966 | |
Janet MacHarg playing piano [1] | Photograph of Janet "Janny" MacHarg playing piano and singing in a solo cabaret show. |
1985 to 1995 | |
New York or Bust postcard | Promotional postcard for a Kinsey Sicks show, New York or Bust, containing material from their off-broadway production. |
1997-07 | |
Homecoming Queens postcard | Promotional postcard for the Kinsey Sicks show, Homecoming Queens. |
1998 | |
Kinsey Sicks promotional postcard | Promotional postcard for the Kinsey Sicks. Members pictured include: Ben Schatz (Rachel), Irwin Keller (Winnie), and Jeff Manabat (Trixie). |
2005 | |
Balled Sopranos flyer | Flyer for the Kinsey Sicks production, Balled Sopranos. |
1998 | |
Kinsey Sicks photograph [1] | Photograph of Kinsey Sicks posing before or after a show. Members pictured include: Kevin Kirkwood (Trixie), Ben Schatz (Rachel), Chris Dilley (Trampolina), and Irwin Keller (Winnie). |
2001 | |
Kinsey Sicks photograph [5] | Photograph of the Kinsey Sicks posing in front of a skyscraper in San Francisco, CA. Members pictured include: Jerry Friedman (Vaselina), Ben Schatz (Rachel), Irwin Keller (Winnie), and Maurice Kelly (Trixie). |
1997 | |
Kinsey Sicks Motel Sicks poster | 1999 | ||
Boyz 2 Girlz postcard | 2000 | ||
The Kinsey Sicks at Herbst Theatre poster | Poster for a Kinsey Sicks show at the Herbst Theatre in San Francisco, CA. Members pictured include: Ben Schatz (Rachel), Kevin Kirkwood (Trixie), Chris Dilley (Trampolina), and Irwin Keller (Winnie). |
2002 | |
Instrumentalists of the Chorus flyer | Flyer for the benefit event, Instrumentalists of the Chorus, which was organized in order to raise funds for the Chorus' 1981 National Tour. |
1981-05-08 | |
Rouder (Wendy) Papers, 2022-24 | The Arcaids Theatre was a theatre troupe composed entirely of people with AIDS and what was then called ARC (AIDS-Related Complex, referring to the broad spectrum of AIDS-related symptoms and opportunistic infections). Arcaids was founded in 1988 by Wendy Rouder, and attracted a core troupe of both professional and amateur actors. The troupe existed for about two years, during which time the players developed scripts and put on small public performances. Performances were a mix of scripted and semi-improvised material, often with a blackly comic tone, and with frequent musical interludes. This collection contains a wide range of documents: publicity materials, news clippings, rehearsal photos, brochures, scripts and improv scenarios, fliers for recruiting performers, notes from creative meetings, business documents, correspondence, and bylaws related to the management of the theater as a nonprofit. |
1988 to 1989 | |
Arcaids Theatre workshop flier | A flier for a performance workshop by Arcaids Theatre. |
1989 | |
Two Friends Talking script | A script for the skit Two Friends Talking, by Jeffrey Schmidt of Arcaids Theater. |
1988 to 1989 | |
Arcaids Theatre improv scenario | An improv scenario used by Arcaids Theatre. |
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Arcaids Theatre scripts | Scripts for Arcaids Theatre skits "The Address Book" and "Which One For Me?" Photocopier errors on later pages of "Which One For Me?" are original to the donated script, not artifacts of the scan. |
1988 to 1989 | |
Arcaids Theatre obituary piece | A list of names and obituary excerpts, used in an Arcaids Theatre performance. |
1988 to 1989 | |
Arcaids Theatre monologue script | A script for the Arcaids Theatre monologue "Shelly." |
1988 to 1989 | |
John Mosman monologue | A monologue by Arcaids Theatre company member John Mosman about his motivations in joining the company. |
1988 to 1989 | |
Arcaids Theatre performance | A performance by Arcaids Theatre. |
1988 to 1989 | |
"Getting Out" improv scenario | An improv scenario, "Getting Out," developed for the Arcaids Theatre. |
1988 to 1989 | |
Arcaids Theatre company warming up | Arcaids Theatre company members warming up. |
1988 to 1989 | |
Arcaids Theatre brainstorming session | A transcript of an Arcaids Theatre brainstorming session for a new play. |
1988 to 1989 | |
Arcaids Theatre flier | A draft flier advertising performances by Arcaids Theatre. |
1988 to 1989 | |
Arcaids Theatre brochure | A brochure advertising the work of Arcaids Theatre. |
1989 | |
Gilbert Baker replica rainbow flag | A small modern replica of the original 1978 rainbow flag, created by Gilbert Baker. Scans show the stitching from front and back. |
1998 | |
Magazine cover parodies | A set of AIDS-themed magazine cover parodies by Gilbert Baker. |
2000 to 2010 | |
Baker (Gilbert) Collection, 2017-18 | Gilbert Baker was an artist, drag queen, and Sister of Perpetual Indulgence who played the central role in the 1978 creation of the rainbow LGBTQ pride flag. Baker’s collection consists largely of textiles, sewing supplies, art, and audiovisual materials, along with a small number of documents. |
1950 to 2017 | |
GLBT Historical Society Art and Artifact Collection (GLBT-ART) | |||
Close up Door | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Closeup of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Corner view from inside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Delivering the dome from ft mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio Bright | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Entry | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing suspended ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exposed suspended ceiling in lobby | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture base | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fort Mason Moving Window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front door with end of film number | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 |