TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Poetry by David Cannon Dashiell (2) | A collection of poems by David Cannon Dashiell. |
1983 | |
Dashiell (David Cannon) papers 2001-36 | This collection documents the creative works of artist David Cannon Dashiell. This collection includes written, conceptual, and design works produced from the middle 1970s through 1993 when the artist died. Personal items in the collection are limited to a small cache of photographs and slides. |
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Poetry by David Cannon Dashiell (1) | A collection of poems by David Cannon Dashiell. |
1984 | |
Prose by David Cannon Dashiell | Prose works by David Cannon Dashiell. |
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An Imaginary Manifesto | David Cannon Dashiell's "An Imaginary Manifesto." |
1993 | |
David Cannon Dashiell notebook [1] | An art planning notebook by David Cannon Dashiell. |
1989 | |
Invert, Oracle catalog | The catalog to David Cannon Dashiell's tarot-themed exhibition, "Invert, Oracle." |
1989 | |
Photographs of David Cannon Dashiell | PDF scans of photographs of David Cannon Dashiell, his partner, his home, and his friends. |
1980 to 1990 | |
Queer Mysteries exhibition description | Description of David Cannon Dashiell's Queer Mysteries exhibition. |
1993 | |
Music criticism by David Cannon Dashiell | Various music criticism pieces written by David Cannon Dashiell, as "Biff Bourguignon," for the publication California Voice. |
1983 | |
Poetry by David Cannon Dashiell (3) | A collection of poems by David Cannon Dashiell. |
1983 | |
Helene Aylon subject file | A subject file on the artist Helene Aylon. |
1975 to 1980 | |
Victoria Schneider with COYOTE sign | Victoria Schneider marches in a Pride parade with a sign for the sex workers' organization COYOTE (Call Off Your Old Tired Ethics). |
1999 | |
International Lesbian and Gay Freedom Day Parade - Group Marching with Rainbow Flag | A group of people carrying a large rainbow flag in the International Lesbian & Gay Freedom Day Parade. |
1986-06 | |
Gay Freedom Day - Gay American Indians contingent | Members of the Gay American Indians contingent at the Gay Freedom Day parade. |
1978-06 | |
Gay Freedom Day - Man in Drag with Blue Headdress | Drag queen in a light blue leotard and large feathered headpiece standing on the street. |
1978-06 | |
Gay Freedom Day - Harvey Milk Observing | Supervisor Harvey Milk leaning up against a vehicle waiting to speak at Civic Center Plaza on Gay Freedom Day, June 25, 1978. Supervisor milk wears a white ringer t-shirt with red trim, a pink lei, a black armband with a pink triangle, and holds a bunch of daises in one hand. |
1978-06-25 | |
Gay Freedom Day - Harvey Milk on Car | Supervisor Harvey Milk sitting on the roof of a car driven by his campaign manager and legislative aide, Anne Kronenberg, through the June 25, 1978 Gay Freedom Day parade procession. Harvey Milk is wearing a black arm band with a pink triangle and is holding up a sign that says "I'm from Woodmere, N.Y." while waving to the crowd. |
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BUS-EPH Flyer for Club Q | Black and white flyer advertising "Club Q. A Dance Party for Women" taking place on June 23, 1989. With Mixtress Page Hodel. This item is undated. |
1989 | |
BUS-EPH Flyer for The Box [2] | Black and white flyer advertising the dance club "The Box. "Everybody's Dance Club. A Dance Club for Gay Men and Women Together." With "Mixtress Page Hodel & Annie 'Fingertips' Buerhaus." This item is undated. Advertising "Special After Parade Dance Party" on Sunday June 30, 1991. |
1991-06-30 | |
BUS-EPH Flyer for The Box [1] | Black & white flyer advertising "The Box. A Homosexual Dance Club. San Francisco's first dance club for gay men and women together." With "Mixtress Page Hodel." This item is undated. Advertises "A special after the parade party" taking place on June 24, 1990 |
1990 | |
SUB-EPH Folder Presidio Theater (Underground Cinema) 1966 | Presidio Theater film screening schedule March 5 through May 7, 1966. |
1966 | |
Phyllis Lyon, Del Martin, and Jose Sarria | Phyllis Lyon, Del Martin, and Jose Sarria as Grand Marshals of 1989 Pride. |
1989 | |
Children at 1978 Pride | Children and others at 1978 San Francisco Pride. |
1978 | |
Gay Freedom Day Parade 1976 | Gay Freedom Day Parade 1976 in San Francisco, CA. Film by Rich Weiss from the Henri Leleu collection. Leleu (1907-1996) was a gay man who was active in the San Francisco leather scene and participated in LGBTQ community groups. File name: glbths 1997-13 7 011 sc |
1976 | |
Gay Freedom Day Parade 1977 | Gay Freedom Day Parade 1977 in San Francisco, CA. Film by Rich Weiss in the Henri Leleu collection. Leleu (1907-1996) was a gay man who was active in the San Francisco leather scene and participated in LGBTQ community groups. File name: glbths 1997-13 7 012 sc |
1977 | |
Gilbert Baker replica rainbow flag | A small modern replica of the original 1978 rainbow flag, created by Gilbert Baker. Scans show the stitching from front and back. |
1998 | |
Magazine cover parodies | A set of AIDS-themed magazine cover parodies by Gilbert Baker. |
2000 to 2010 | |
30th anniversary rainbow flag speech | A speech delivered by Gilbert Baker in honor of the 30th anniversary of the rainbow flag. |
2008 | |
Gilbert Baker with large parade flag | A snapshot of Gilbert Baker with a costumed companion and a very large rainbow flag, apparently one of the multi-block flags Baker created for Pride parades. |
2003 | |
Autobiographical speech | An autobiographical speech delivered by Gilbert Baker in 2011. |
2011-06-16 | |
Gilbert Baker and group with 1978 rainbow flag | Gilbert Baker and companions holding a rainbow flag. The slide is dated July 1978, but appears to depict the 1978 San Francisco Gay Freedom Day parade, when the flag was first flown; it is likely that the slide was taken that day and developed later. |
1978 | |
Gilbert Baker and group with anti-Briggs protest sign | Gilbert Baker and group, displaying a sign protesting the Briggs Initiative, which would have forbidden LGBTQ people from teaching in California public schools. The slide is dated July 1978, but appears to depict the 1978 San Francisco Gay Freedom Day parade, when the raimbow flag was first flown; it is likely that the slide was taken that day and developed later. |
1978 | |
Baker (Gilbert) Collection, 2017-18 | Gilbert Baker was an artist, drag queen, and Sister of Perpetual Indulgence who played the central role in the 1978 creation of the rainbow LGBTQ pride flag. Baker’s collection consists largely of textiles, sewing supplies, art, and audiovisual materials, along with a small number of documents. |
1950 to 2017 | |
Harvey Milk at 1978 Gay Freedom Day parade | Harvey Milk celebrates at the 1978 Gay Freedom Day parade. |
1978 | |
GLBT Historical Society Art and Artifact Collection (GLBT-ART) | |||
Sister Marquesa de Sade juin 1983-3-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Marquesa de Sade juin 1983-4-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Marquesa de Sade juin 1983-5-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Merry Erection juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Merry Erection juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Sadie Sadie the Rabbi Lady juin 1983-1-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Sadie Sadie the Rabbi Lady juin 1983-2-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Salvation Armée juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sisters Bénédiction juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sisters Domonique Nique Nique & Merry Erection juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Les SPI ouvrent La Gay Parade juin 1983 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom en tête du cortège juin 1983-2 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom en tête du cortège juin 1983-3 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom en tête du cortège juin 1983-4-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom en tête du cortège juin 1983-5-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom en tête du cortège juin 1983 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Boom Boom fouettant juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Marquesa de Sade juin 1983-1-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sister Marquesa de Sade juin 1983-2-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sisters juin 1983-J-B-CARHAIX-2 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sisters juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Sisters saluant la foule juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Dykes on Bikes juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. The image title is derived from Carhaix's original file title. |
1983 | |
Gay Father juin 1983-J-B-CARHAIX | Gay Fathers. Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. The image title is derived from Carhaix's original file title. |
1983 | |
Protestation juin 1983-J-B-CARHAIX | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. The image title is derived from Carhaix's original file title. |
1983 | |
Sister on motorcycle img 546 | Photographs from the 1983 International Lesbian and Gay Freedom Day Parade (Pride Parade) in San Francisco, California. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1983 | |
Close up Door | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Closeup of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Corner view from inside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Delivering the dome from ft mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio Bright | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Entry | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing suspended ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exposed suspended ceiling in lobby | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture base | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fort Mason Moving Window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front door with end of film number | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front doors inside looking out | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front of Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Garmisson Glass and Lou [Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Handbuilt wooden scaffolding | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Illuminated Chandelier light | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
IMAG0049 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside Garmason studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
inside lobby construction | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside the ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inspectors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Instalation of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing Paper for Photography | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing the doors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior Model Cutaway | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan [Besser] Richard J[enkins] and Albert [Marsh] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan B[esser] and Richard J[enkins] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 2 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 3 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope albert [Marsh] and ceiling panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with lou Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with richard H[onigman] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaliedascope Kim [Hick] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 |