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An image of the Vanguard Street Sweep protest, an action by the LGBTQ youth group Vanguard. The protest reclaimed the streets of the Tenderloin from police officers who would "sweep" for trans people, queer people, and sex workers. By physically sweeping the streets, Vanguard argued that Tenderloin residents should define what their community needed, and that what they needed was a clean and safe place to live, free of harassment.

A counterprotest against a neo-Nazi group in San Francisco.

A counterprotest against a neo-Nazi group in San Francisco.

A counterprotest against a neo-Nazi group in San Francisco.

A collection of poems by David Cannon Dashiell.

This collection documents the creative works of artist David Cannon Dashiell. This collection includes written, conceptual, and design works produced from the middle 1970s through 1993 when the artist died. Personal items in the collection are limited to a small cache of photographs and slides.

A collection of poems by David Cannon Dashiell.

Prose works by David Cannon Dashiell.

David Cannon Dashiell's "An Imaginary Manifesto."

An art planning notebook by David Cannon Dashiell.

The catalog to David Cannon Dashiell's tarot-themed exhibition, "Invert, Oracle."

PDF scans of photographs of David Cannon Dashiell, his partner, his home, and his friends.

Description of David Cannon Dashiell's Queer Mysteries exhibition.

Various music criticism pieces written by David Cannon Dashiell, as "Biff Bourguignon," for the publication California Voice.

A collection of poems by David Cannon Dashiell.

A subject file on the artist Helene Aylon.

Victoria Schneider marches in a Pride parade with a sign for the sex workers' organization COYOTE (Call Off Your Old Tired Ethics).

Libertarians for Gay and Lesbian Concerns (LGLC) records document the activities of LGLC especially those of George Meyer, LGLC's National Coordinator from 1983 to 1987. LGLC was established during the 1981 national Libertarian Party Convention in Denver, Colorado. LGLC succeeded the Thomas Jefferson Libertarian Club, a 1970's gay and lesbian political organization. Despite LGLC's ties with the libertarian movement, it has never been an official organization of the Libertarian party. The organization's mission was to support gay and lesbians libertarians, to persuade gay and lesbians to consider the libertarian view of civil liberties, and to bring awareness of gay and lesbian issues to libertarians. After a slow beginning in Salt Lake City (1981-1983), LGLC moved to Washington, D.C. (1983- 1984). George Meyer moved to San Francisco in late 1984, and began the San Francisco chapter (August 1984) while serving as National Coordinator. Meyer's efforts as National Coordinator saw an increase in the organization's membership and influence. He edited the bi-monthly LGLC Newsletter, which had 400 subscribers during the mid-1980's. Meyer supported the Washington, D.C., New York City, Los Angeles, and San Francisco local chapters. By 1986, despite his efforts, only the New York City and San Francisco chapters were still active. Meyer also arranged information booths at Libertarian party state and national conventions, encouraged LGLC participation in Gay Freedom Day parades, and maintained a network of contacts in thirteen states.

Supervisor Harvey Milk leaning up against a vehicle waiting to speak at Civic Center Plaza on Gay Freedom Day, June 25, 1978. Supervisor milk wears a white ringer t-shirt with red trim, a pink lei, a black armband with a pink triangle, and holds a bunch of daises in one hand.

Presidio Theater film screening schedule March 5 through May 7, 1966.

Pamphlets and flyers from the Solidarity Gay/Lesbian Liberation folder circa 1981-1982. Some items are undated.

Flyer publicizing a demonstration to take place at the Central California Women's Facility in Chowchilla, CA on Saturday, July 8, 1995 at noon.

Frederick Schoonmaker and Alfred Parkinson were an interracial gay couple best known for their attempt to establish a gay intentional community, to be called Stonewall Park, in rural Nevada. After the failure of their San Francisco ice cream shop, Munchkins, the couple secured backers and made several purchases of land. Each time, however, they were turned back by homophobic locals. In 1987, after Schoonmaker and Parkinson had given up on the dream of Stonewall Park, Schoonmaker was diagnosed with AIDS. He died the same year. Parkinson's fate is unknown. The bulk of their collection spans the years 1984-1987 and pertains to Stonewall Park and related ventures, as well as the National Association of Lesbians and Gays (NALAG) and the Lavender Press, another of the couple's ventures.

Camille Moran is a transgender poet and painter, as well as an activist who works against psychiatric abuse of queer and trans youth. This collection includes draft testimony, poetry, a series of satirical notes about her decision to transition, and other writing by Moran, as well as a number of articles she wrote or collected.

An ensemble consisting of a replica concentration camp uniform with Pride details, created by artist Gilbert Baker to protest the election of Donald Trump.

A small modern replica of the original 1978 rainbow flag, created by Gilbert Baker. Scans show the stitching from front and back.

A set of AIDS-themed magazine cover parodies by Gilbert Baker.

A speech delivered by Gilbert Baker in honor of the 30th anniversary of the rainbow flag.

Gilbert Baker was an artist, drag queen, and Sister of Perpetual Indulgence who played the central role in the 1978 creation of the rainbow LGBTQ pride flag. Baker’s collection consists largely of textiles, sewing supplies, art, and audiovisual materials, along with a small number of documents.

A Community United Against Violence flyer advising the community on the use of emergency whistles.

Efrain John Gonzalez is a bisexual photographer, tour guide, and artist. This digital collection consists of selected photographs by Gonzalez of the first National Bisexual Conference, held in San Francisco in 1990.

Folder 2 of the Camille Moran papers.

Discussions with members of the Forget-Me-Nots regarding their decisions to join the group and attend the National March on Washington for Lesbian and Gay Rights. They also discuss the effect they hope to have on lawmakers and others who witnessed the demonstration.

The Forget-Me-Nots discuss their attendance at the National March on Washington for Lesbian and Gay Rights. They discuss their experiences getting arrested and police behavior.

The Forget-Me-Nots discuss their attendance at the National March on Washington for Lesbian and Gay Rights. They discuss who marched with them, how they felt when they arrived in Washington, and the crowd they saw at the march. Most of the tape is the group chatting and conversing about topics unrelated to the march.

The Forget-Me-Nots discuss their attendance at the National March on Washington for Lesbian and Gay Rights. They talk about their trip to Washington, including the people they met on the trip. They also discuss the diagnosis and spread of AIDS.

The Forget-Me-Nots was a small group of gay men from San Francisco who formed an affinity group prior to the 1987 National March on Washington for Lesbian and Gay Rights. They prepared to perform civil disobedience on the steps of the United States Supreme Court. The group’s members marched and demonstrated in memory of those lost to AIDS.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.

This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known.