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A Shanti Project volunteer and client in a hospital.

Photograph of Bill Beardemphl with his lifelong partner Johnny DeLeon, circa 1960s.

Photograph of Bill Beardemphl's lifelong partner, dancer Johnny DeLeon, circa 1960s. This image may have been taken at an Imperial Court of San Francisco event, given DeLeon's Renaissance costume.

PDF scans of photographs of David Cannon Dashiell, his partner, his home, and his friends.

A group of attendees at a Halloween drag event.

The COLAGE Kids Club Fun Pages, an undated standalone publication.

From original: 42 -Sisters Sadie Sadie the Rabbi Lady & Freeda People 1 ère messe en souvenir des victimes du sida juin 1983-3

Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

"Ambi Sextrous." Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

"Ricky". Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

Photograph by Roz Joseph. From her series of photographs of the San Francisco drag scene in the mid-1970s.

Photograph of Chorus members at the airport on their way to the GALA Choruses Festival in Denver, Colorado.

Photograph of the Lesbian and Gay Chorus of San Francisco performing at the GALA Choruses Festival in Denver, Colorado.

Photograph of Chorus members performing at their 1982 retreat.

Photograph of the San Francisco Gay Men's Chorus performing with conductor, Dick Kramer.

Photograph of the San Francisco Gay Men's Chorus performing in 1979.

An ensemble consisting of a replica concentration camp uniform with Pride details, created by artist Gilbert Baker to protest the election of Donald Trump.

The artist Gilbert Baker on Fire Island, in an American flag gown based on the popular image of Betsy Ross.

The artist Gilbert Baker, photographed in drag atop a lion statue by Jean-Baptiste Carhaix.

The artist Gilbert Baker, depicted on a greeting card in his drag persona, Sister Chanel 2001.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Photograph from a scrapbook of “anonymous lesbian photographs” found, according to the donor, in a “Berkeley junk shop in the early 2000s.” The photos span the mid-1940s to the early 1960s, and include snapshots of individuals, pairs, and small groups at social gatherings, in the snow, on the beach, and with cars. Many figures are donning a post-World War II butch style. Several photographs include people in Women’s Army Corps (WAC) uniforms.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.

Sister Vicious Power Hungry Bitch. Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title.