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An image of the Vanguard Street Sweep protest, an action by the LGBTQ youth group Vanguard. The protest reclaimed the streets of the Tenderloin from police officers who would "sweep" for trans people, queer people, and sex workers. By physically sweeping the streets, Vanguard argued that Tenderloin residents should define what their community needed, and that what they needed was a clean and safe place to live, free of harassment.

Flight instructor Helen Harder (left) demonstrates a Link trainer (an early flight simulator) to a new pilot during her service in World War II.

Helen Harder with a dog.

A Shanti Project volunteer and client in a hospital.

A Shanti Project volunteer and client in a hospital.

A Shanti Project volunteer and client.

A crowd of people at an outdoor event, from the same roll of film as the Vanguard Street Sweep photographs.

A crowd of people at an outdoor event, from the same roll of film as the Vanguard Street Sweep photographs.

An overturned car, from the same roll of film as the Vanguard Street Sweep photographs.

An overturned car, from the same roll of film as the Vanguard Street Sweep photographs.

Three people, possibly members of Vanguard, from the same roll of film as the 1966 Vanguard Street Sweep photographs.

A counterprotest against a neo-Nazi group in San Francisco.

A counterprotest against a neo-Nazi group in San Francisco.

A counterprotest against a neo-Nazi group in San Francisco.

Patron's at Compton's Cafeteria.

Patrons at the Opus One club, which featured live classical music and catered to gay men.

A menu from the Black Cat bar.

Photograph of Bill Beardemphl with his lifelong partner Johnny DeLeon, circa 1960s.

Photograph of Bill Beardemphl's lifelong partner, dancer Johnny DeLeon, circa 1960s. This image may have been taken at an Imperial Court of San Francisco event, given DeLeon's Renaissance costume.

Photograph of Bill Beardemphl and his lifelong partner Johnny DeLeon, circa early 1960s ("must have been taken in '63 or '64" on verso).

Verso of photograph of Bill Beardemphl and his lifelong partner Johnny DeLeon, circa early 1960s (labeled "must have been taken in '63 or '64").

Photograph of Bill Beardemphl and his lifelong partner Johnny DeLeon.

Photograph of Bill Beardemphl and his lifelong partner Johnny DeLeon.

Photograph of Bill Beardemphl (right), his lifelong partner Johnny DeLeon (center), and an unidentified friend, circa 1960s. This photo may have been taken at an Imperial Court event, given the Renaissance costumes worn by the men.

A posed photograph of Bill Beardemphl at work.

Photograph of Bill Beardemphl with his lifelong partner Johnny DeLeon at home.

A photograph of a nude man.

Black and white sequined jacket worn by Sylvester. Designed by Pat Campano. This item is undated.

Black and white sequined jacket worn by Sylvester. Designed by Pat Campano. This item is undated.

Black and white sequined jacket worn by Sylvester. Designed by Pat Campano. This item is undated.

Peach sequined tunic and skirt with crane motif worn by Sylvester. This garment appears to be handmade and there is no designer label attached. This item is undated.

Peach sequined tunic and skirt with crane motif worn by Sylvester. This garment appears to be handmade and there is no designer label attached. This item is undated.

Pink sequined jacket and pants worn by Sylvester. Designed by Pat Campano. This item is undated.

Pink sequined jacket and pants worn by Sylvester. Designed by Pat Campano. This item is undated.

A cape and headpiece worn by Sylvester while performing. This garment appears to be handmade. There is no designer label attached to this garment. This item is undated.

A cape and headpiece worn by Sylvester while performing. This garment appears to be handmade. There is no designer label attached to this garment. This item is undated.

A cape and headpiece worn by Sylvester while performing. This garment appears to be handmade. There is no designer label attached to this garment. This item is undated.

White gown with satin and tulle netting, wire understructure, and small mirrors. This garment does not have a label indicating the designer. This item is undated.

White gown with satin and tulle netting, wire understructure, and small mirrors. This garment does not have a label indicating the designer. This item is undated.

Poster for the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Poster for the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972.

Smoking jacket worn by Russell Blackwood (Thrillpeddlers founder and artistic director) during introductions to shows at The Hypnodrome theatre.

Yellow insect headpiece used as part of a costume in an unidentified Thrillpeddlers production. This item is undated.

Tech lighting map for the Thrillpeddlers production, Blood Bucket Ballyhoo.

A series of photographs mounted on poster board depicting the installation of the Hypnodrome Theatre, the long time home of the Thrillpeddlers located in the SoMa district of San Francisco.

Poster advertising Creepshow Camp, an arts education program that taught horror and science fiction performance skills to youth.

Stage designs for the Thrillpeddler's production, The Bloody Debutant.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order.

Costume for the character, Mother Fu (performed by Russell Blackwood) from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Costume for the character, Mother Fu (performed by Russell Blackwood) from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Purple costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Sequined costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Sequined costume from the Thrillpeddlers revival production of Pearls Over Shanghai. Pearls Over Shanghai was originally a Cockettes musical written by Link Martin and Richard Scrumbly Koldewyn.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order.

Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order.

Mink stole belonging to Eve Finocchio, the owner of Finocchio's nightclub. This item is undated.

Mink stole owned by Eve Finocchio, the owner of Finocchio's nightclub. This item is undated.

Hat worn by Finocchio's doormen. This item is undated.

Hat worn by Finocchio's doormen. This item is undated.

Green lace gown worn by Finocchio's performers. This item is undated.

Green lace gown worn by Finocchio's performers. This item is undated.

Large format photograph of performer that was displayed at Finocchio's. This item is undated.

Large format photograph of performer that was displayed at Finocchio's (rear). This item is undated.

Painted portrait of a performer that was displayed at Finocchio's nightclub. This item is undated.

Painted portrait of a performer that was displayed at Finocchio's nightclub. This item is undated.

Red lace gown worn by performers at Finocchio's. This garment was designed by Pat Campano and is undated.

Red lace gown worn by performers at Finocchio's. This garment was designed by Pat Campano and is undated.

Pink feathered hat worn by Finocchio's performers. This item is undated.

Pink feathered hat worn by Finocchio's performers. This item is undated.

Red folding fan used by Finocchio's performers. This item is undated.

Red folding fan used by Finocchio's performers. This item is undated.

A group of attendees at a Halloween drag event.

Set piece reading "Alwayz Eze" used in the Thrillpeddlers production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972.

Victoria Schneider marches in a Pride parade with a sign for the sex workers' organization COYOTE (Call Off Your Old Tired Ethics).