TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Shanti Project volunteer and client (1) | A Shanti Project volunteer and client in a hospital. |
1990 to 1999 | |
Shanti Project volunteer and client (2) | A Shanti Project volunteer and client in a hospital. |
1990 to 1999 | |
Shanti Project volunteer and client (3) | A Shanti Project volunteer and client. |
1990 to 1999 | |
Blank survey | A survey intended to be distributed to youth with LGBTQ+ parents. |
1990 to 1999 | |
COLAGE press releases | 1990 to 1999 | ||
Play produced by COLAGE members | The script and related materials for a play put on by members of COLAGE. |
1994 | |
Dewsnap James 1999-19 | The James Dewsnap collection contains two full-length nude portraits of Scott O'Hara by San Francisco artist David Ross; transcripts of 16 interviews from 1994 that Dewsnap conducted with Jackie Phillips, the lead "comedienne" at Finocchio's from the late 1950s to the mid-1970s; and an unpublished book-length typescript on Phillips’ life, called "Oh, what a drag! The life and career of Wacky Jackie Phllips, Finocchio's riotous redhead, as told to Jim Dewsnap." |
1994 | |
Jackie Phillips oral history | An oral history of longtime Finocchio's comedy queen Jackie Phillips, taken by James Dewsnap and later incorporated into Phillips' autobiography ghostwritten by Dewsnap. |
1994 | |
Jackie Phillips book | The autobiography of longtime Finocchio's comedy queen Jackie Phillips, as told to and ghostwritten by James Dewsnap. |
1994 | |
Brochures and communications | Brochures and communications materials from COLAGE (Children of Lesbians and Gays Everywhere). |
1990 to 1999 | |
Run of show [1] | A run of show listing the schedule of performers and their acts at Finocchio's nightclub. |
1990 to 1999 | |
Run of show [2] | A run of show listing the schedule of performers and their acts at Finocchio's nightclub. |
1990 to 1999 | |
Finocchio's promotional postcard | Promotional postcard advertising Finocchio's nightclub. This postcard uses the term "female impersonators" to describe performers, which is a historic term that comes from a straight-coded Victorian theatrical form and continued until the mid-20th century before merging into what we now call drag. |
1990 to 1999 | |
Finocchio's coupon | 1990 to 1999 | ||
Antediluvian Manifesto by Janet MacHarg | 1990 to 1999 | ||
Ginny Knuth papers, folder 2 | Folder 2 of the papers of Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. |
1990 to 1999 | |
Ginny Knuth awards (1) | An award given to Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. |
1994 | |
José Sarria interview with Mary Richards (Tape 7, Side A) | Interview with José Sarria, also known as the Widow Norton. He discusses mainly his presiding over the Imperial Court of Emperors and Empresses, a non-profit organization that raises money for other organizations in the community. Topics include Imperial Court of Emperors and Empresses, non-profit, gay, lesbian, and fundraising. Tape 7: Side A: José Sarria (Gay Pride). II. May 1994. Audio Cassette. |
1994 | |
José Sarria interview with Mary Richards (Tape 7, Side B) | Interview with José Sarria, also known as the Widow Norton. He discusses mainly his presiding over the Imperial Court of Emperors and Empresses, a non-profit organization that raises money for other organizations in the community. He also discusses his life experiences and gives advice to gay and lesbian youth. Topics include Imperial Court of Emperors and Empresses, non-profit, gay, lesbian, and fundraising. Tape 7: Side B: José Sarria (Gay Pride). II. May 1994. Audio Cassette. |
1994 | |
José Sarria bus tour of San Francisco (Tape 159, Side B) | Live audio recording of a bus tour of San Francisco conducted by José Sarria, a veteran of World War II who is also known as The Widow Norton. He provides descriptions of many San Francisco eateries, German presence in San Francisco, and many gay hotspots such as Twin Peaks.Topics include veteran, nightlife, drag queen, gay veteran, Stonewall, San Francisco, bus tour, World War II, José Sarria, and Widow Norton. Tape 159: Side B: Jose Sarria. Bus Tour. January 1994. Audio Cassette. |
1994 | |
José Sarria bus tour of San Francisco (Tape 6, Side B) | Live audio recording of a bus tour of San Francisco conducted by José Sarria, a veteran of World War II who is also known as The Widow Norton. His tour provided a history of San Francisco through the eyes of a gay veteran. He conducted the tour in drag.Topics include veteran, drag queen, gay veteran, Stonewall, San Francisco, bus tour, World War II, José Sarria, and Widow Norton. Tape 6: Side A: José Sarria (Bus Tour). Tape 2 of 2. January 1994. Audio Cassette. |
1994 | |
José Sarria interview with Mary Richards (Tape 159, Side A) | Interview with José Sarria, also known as Widow Norton. Sarria was a veteran of World War II who gave bus tours of San Francisco. He describes his role as a historian and his personal connection to the city. Included is also a live audio recording of one of his bus tours. Topics include veteran, drag queen, gay veteran, Stonewall, San Francisco, bus tour, World War II, José Sarria, and Widow Norton. Tape 159: Side A: Jose Sarria. Bus Tour. January 1994. Audio Cassette. |
1994 | |
José Sarria bus tour of San Francisco (Tape 6, Side A) | Live audio recording of a bus tour of San Francisco conducted by José Sarria, a veteran of World War II who is also known as The Widow Norton. His tour provided a history of San Francisco through the eyes of a gay veteran. Topics include veteran, gay veteran, San Francisco, bus tour, World War II, José Sarria, and Widow Norton. Tape 6: Side A: José Sarria (Bus Tour). Tape 2 of 2. January 1994. Audio Cassette. |
1994 | |
¡Viva 16! | A documentary short about Latinx LGBT life in San Francisco from the 1970s to the 1990s, focusing upon 16th Street in the Mission District. The film also addresses community responses to HIV/AIDS. |
1994 | |
Gay and Lesbian Historical Society and San Francisco Public Library Town Hall (1 of 2) | A town hall meeting with representatives from the Gay and Lesbian Historical Society (GLHS) and the San Francisco Public Library (SFPL) presenting on plans for the Gay and Lesbian Center that would be installed in the SFPL's Special Collections department. The presentation covers fundraising and budget considerations, archival collections the SFPL has and will acquire, and the SFPL's desire to acquire collections from the GLHS. A question and answer session concludes the presentation, with questions about the SFPL's preservation and access capabilities and how to navigate potential push back from the general public about the library's involvement with gay and lesbian collections. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1990 to 1999 | |
Gay and Lesbian Historical Society and San Francisco Public Library Town Hall (2 of 2) | A town hall meeting with representatives from the Gay and Lesbian Historical Society (GLHS) and the San Francisco Public Library (SFPL) presenting on plans for the Gay and Lesbian Center that would be installed in the SFPL's Special Collections department. The presentation was followed by a question and answer session. Questions asked include how the SFPL would decide which collections to accept, concerns about a government entity controlling community materials, how much of the GLHS holdings they might donate to the SFPL, and the inclusivity of current and potential collections at the GLHS. The presentation concludes with a motion for GLHS membership to vote on whether or not to give the board authority to enter negotiations for partnership with the SFPL. The motion passed. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1990 to 1999 | |
Jason Allen Interviews, “Why San Francisco?” | A video in which an interviewer asks diverse pedestrians why they live in San Francisco. The final interview is with a woman who discusses her gender, sexuality, and pursuing treatment for mosaic Turner Syndrome. |
1990 to 1999 |