TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Anything That Moves cover | The cover of the Fall 1997 issue of Anything That Moves. |
1997 | |
Kinsey Sicks photograph [5] | Photograph of the Kinsey Sicks posing in front of a skyscraper in San Francisco, CA. Members pictured include: Jerry Friedman (Vaselina), Ben Schatz (Rachel), Irwin Keller (Winnie), and Maurice Kelly (Trixie). |
1997 | |
Ginny Knuth oral history (1) | An oral history with Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. In the oral history, Knuth discusses her personal history, the organization, and the relationships between gender nonconforming people and their spouses. |
1997 | |
Ginny Knuth papers, folder 1 | Folder 1 of the papers of Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. |
1997 | |
Ginny Knuth video interview | A video interview with Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. In the interview, Knuth describes the history of ETVC, the Imperial Court, and her relationships by taking the viewer through her photo collection. |
1997 | |
Ginny Knuth oral history (5) |
An oral history with Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. In the oral history, Knuth discusses her personal history, the organization, and the relationships between gender nonconforming people and their spouses. |
1997 | |
Ginny Knuth oral history (2) | An oral history with Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. In the oral history, Knuth discusses her personal history, the organization, and the relationships between gender nonconforming people and their spouses. |
1997 | |
Ginny Knuth oral history (6) | An oral history with Ginny Knuth, a cisgender member of Educational Transvestite Channel (later called TransGender San Francisco). Knuth's husband identified as a crossdresser and was also a member of the group. In the oral history, Knuth discusses her personal history, the organization, and the relationships between gender nonconforming people and their spouses. |
1997 | |
Kinsey Sicks photograph [2] | The Kinsey Sicks pose for a photograph on a cable car, circa 1997. Left to right: Winnie (Irwin Keller), Trixie (Maurice Kelly), Rachel (Ben Schatz), and Vaselina (Jerry Friedman). |
1997 | |
Kinsey Sicks photograph [3] | The Kinsey Sicks pose for a photograph, circa 1997. Left to right: Winnie (Irwin Keller), Vaselina (Jerry Friedman), Trixie (Maurice Kelly), and Rachel (Ben Schatz). |
1997 | |
The Kinsey Sicks at Josie's Cabaret and Juice Joint flyer | 1997 | ||
Letter to John Rowberry (1 of 2) | An audio letter responding to John Rowberry, editor of the gay magazine Stud Flix. Rowberry appears to have asked the speaker for information about the history of male physique filmmaking. The speaker relates his background as a film maker and editor and answers a question about various male physique films he made before he retired. The speaker then provides context for various films he is sending Rowberry, including some Gloria Holden movies and early physique films from the 1940s to the 1960s. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1986-08-08 | |
Letter to John Rowberry (2 of 2) | An audio letter responding to John Rowberry, editor of the gay magazine Stud Flix. Rowberry appears to have asked the speaker for information about the history of male physique filmmaking. The speaker provides context for past films he made, and he encourages Rowberry to write an article about Gloria Holden. He also explains why he retired, including about the nudist community he has joined in Phoenix and his desire for discretion. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1986-08-08 |