TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Hot Greeks poster | Poster for the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. |
2010 | |
Hot Greeks headpiece [1] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
Hot Greeks headpiece [1] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
Hot Greeks headpiece [1] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the doric greek architecture order. |
2010 | |
Hot Greeks set piece | Set piece reading "Alwayz Eze" used in the Thrillpeddlers production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. |
2010 | |
Gilbert Baker and companions on a boat | A snapshot of Gilbert Baker and companions on a sailboat which is flying a large rainbow flag. |
2010 | |
Two Spirits Two Stories Feature | An article from the Bay Area Reporter highlighting Two-Spirit identities through the words of Randy Burns, co-founder of Gay American Indians, and Ruth Villaseñor, a documentary film producer and member of Bay Area American Indian Two-Spirits (BAAITS). This digital collection was created in part through the generous support of BAAITS via the Hewlett Foundation. |
2010 | |
Pearls Over Shanghai cast photograph | 2010 | ||
GLBT Archives Evolution (3 of 4) | A discussion about advantages and disadvantages of housing GLBT collections within a non-GLBT institution. Advantages discussed include wider public access to the collections and greater preservation resources, while disadvantages discussed include a loss of control over community history and the institution's lack of interest in more niche materials. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1984-08-09 | |
GLBT Archives Evolution (4 of 4) | A discussion about how to unite various groups and community members around a gay and lesbian historical society and whether or not the society should be a separate entity or a collective made up representatives of independent groups. Also discussed is a potential fundraising effort for the Lesbian and Gay History Project and a crash course about basic preservation techniques used in archives. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1984-08-09 | |
GLBT Archives Evolution (1 of 4) | A discussion about the early years of the Historical Society and how to involve more community members in the collection and preservation of gay and lesbian history in San Francisco. Topics also include the formation of the San Francisco Gay and Lesbian Periodical Collection within the Lesbian and Gay History Project. The evolution of the Harvey Milk Archives is also discussed, beginning with Milk's request for volunteers to organize his papers in 1978 and continuing with independent exhibits, official incorporation as a nonprofit, and collaborations with the Lesbian and Gay History Project. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1984-08-09 | |
GLBT Archives Evolution (2 of 4) | A discussion about copyright and donation policies in the context of archives, legal responsibilities and structural components to consider when setting up the Historical Society, and differences between libraries and archives. Also discussed is a potential collaboration to create a gay and lesbian collection within the California Historical Society. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1984-08-09 |