TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Hot Greeks headpiece [2] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [3] | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
Hot Greeks headpiece [2] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [2] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the corinthian greek architecture order. |
2012 | |
Hot Greeks headpiece [3] (image 1) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
Hot Greeks headpiece [3] (image 2) | Headpiece from the Thrillpeddlers revival production, Hot Greeks. Hot Greeks was originally a Cockettes musical written by Martin Worman and Scrumbly Koldewyn in 1972. This headpiece is meant to resemble the ionic greek architecture order. |
2012 | |
"Betsy Ross" drag gown and hat | A drag ensemble created by the artist Gilbert Baker, drawing on the popular image of Betsy Ross. |
2012 | |
Gilbert Baker in Betsy Ross gown | The artist Gilbert Baker on Fire Island, in an American flag gown based on the popular image of Betsy Ross. |
2012 | |
Barbara Smith Keynote Address (1 of 2) | Barbara Smith's keynote address "Our Most Important Human Work," given at a meeting of the Philadelphia chapter of the gay men's anti-racism organization Black and White Men Together. Smith discusses how gay and lesbian identities can link people across racial divides, and she highlights the Black feminist movement as a blueprint for interconnecting different marginalized communities. She also discusses the interconnectedness of racism and homophobia, and she identifies activism and organizing as the key for reducing both racism and homophobia. There is a question and answer portion at the end, during which Smith discusses the role of solidarity in social movements. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1983-03-05 | |
Barbara Smith Keynote Address (2 of 2) | The remaining portion of the question and answer session following Barbara Smith's keynote address, "Our Most Important Human Work," at a meeting of the Philadelphia chapter of the gay men's anti-racism organization Black and White Men Together. Smith answers questions about balancing her work with multiple coalitions, the lesbian separatist movement, when she does or does not choose to engage in advocacy work, her experience as a mixed race person, and the interconnectedness of sexism and racism. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1983-03-05 |