TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Lyon-Martin House oral histories, 2023-52 | Oral history recordings and supplemental material for the Lyon-Martin House Oral History Project. Interviewees include: Kendra Mon, Pauline Shulman, Diane McCarney, Kate Kendell, Marcia Gallo, and Margie Adam. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. The oral history project documents the narrators’ memories of the Lyon-Martin House as a social and activist space, as well as of Lyon and Martin. |
2022 to 2023 | |
Kate Kendell oral history interview transcript | Oral History Interview: Kate Kendell, Interviewed by Keilina Heinz for the Lyon- Martin House Project.
ABSTRACT:
Kate Kendell is former longtime (1996-2018) Executive Director of the National Center for Lesbian Rights and current Chief of Staff at the California Endowment. She met Del Martin and Phyllis Lyon in 1993 or 1994 at an American Civil Liberties Union or National Center for Lesbian Rights event. Soon after she began monthly lunches with them in their home, where they would regale her with stories and history. She discusses the home, the living room with their chairs and the view, and their kitchen nook as special places in the home. She discusses parties from the 1950s and 1960s she had heard about there, including the curtains they would put up so women would feel comfortable dancing together. Kendell also underscores the importance of the outside stairs and position of the picture window from the sidewalk, where she could wave to Phyllis in her advanced age and they would blow each other a kiss. She underscores the parallel of the house’s modesty to Del and Phyllis’s modesty as “how they moved in the world.” Kendell imagines the space being used for LGBTQ and women’s political salons, community conversations, and community gardening. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Kendra Mon oral history interview recording | Kendra Mon oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Kendra Mon is Del Martin’s biological daughter, from Martin’s first marriage. She lived with Del and Phyllis sometimes as a teenager and as an adult was in their lives across the rest of their lives. She describes the early decor of the home and her initial impressions of how small it was. She also describes some early parties in the home. Kenrda also describes how the house was adapted to Del and Phyllis’ needs as they aged. In addition, she notes the archival quality of their home, where they collected photos, news clippings, books related to women’s accomplishments, lesbian and gay issues, their own publishing, and records of their lives and activism, stored in the basement and throughout the house. Kendra also discusses how Phyllis’ caregiving was funded through community-based small loans against the assumed resale value of the property after she passed. She describes holidays at their home. Her vision for the house is to move it to some kind of LGBTQ “pioneer village” where it would be a tourist attraction with other well-known LGBTQ people’s homes. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Kendra Mon oral history interview transcript | Lyon-Martin House Oral History Project interview with Kendra Mon.
ABSTRACT:
Kendra Mon is Del Martin’s biological daughter, from Martin’s first marriage. She lived with Del and Phyllis sometimes as a teenager and as an adult was in their lives across the rest of their lives. She describes the early decor of the home and her initial impressions of how small it was. She also describes some early parties in the home. Kenrda also describes how the house was adapted to Del and Phyllis’ needs as they aged. In addition, she notes the archival quality of their home, where they collected photos, news clippings, books related to women’s accomplishments, lesbian and gay issues, their own publishing, and records of their lives and activism, stored in the basement and throughout the house. Kendra also discusses how Phyllis’ caregiving was funded through community-based small loans against the assumed resale value of the property after she passed. She describes holidays at their home. Her vision for the house is to move it to some kind of LGBTQ “pioneer village” where it would be a tourist attraction with other well-known LGBTQ people’s homes. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo oral history interview recording [part 1] | Marcia Gallo oral history interview recording [part 1] for the Lyon-Martin House Oral History Project.
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo oral history interview recording [part 2] | Marcia Gallo oral history interview recording [part 2] for the Lyon-Martin House Oral History Project.
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Marcia Gallo oral history interview transcript | Oral History Interview: Marcia Gallo Interviewed by Keilina Heinz for the Lyon-Martin House Oral History Project
ABSTRACT
Dr. Marcia Gallo, is an activist and professor of history. She met Del Martin and Phyllis Lyon when working for the American Civil Liberties Union (ACLU) to fight against state propositions to ban teaching about queer topics and also regulating pornography in the 1970s and ‘80s. Dr. Gallo discusses getting to know Martin and Lyon best when interviewing them for her book on the Daughters of Bilitis lesbian rights organization. She describes spending the most time in the living room and kitchen of their home. She also discusses Martin and Lyon’s memories of earlier times in the home, including parties, closing the curtains of their picture window for protection, writing in the home office, etc. Dr. Gallo suggests that the home would make for an excellent writer’s retreat for grant recipients. She concludes with a discussion of her different relationships with Martin and Lyon, and the ways those relationships evolved over time, particularly her relationship with Lyon after Martin passed away. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Margie Adam oral history interview transcript | Margie Adam Interview Lyon-Martin House Oral History Project
ABSTRACT
Margie Adam is a singer-songwriter and activist. She met Del Martin and Phyllis Lyon in the 1970s through her partner. She talks about walking up to the Lyon-Martin house as a “pilgrimage” for lesbian feminists of her generation, noting that their picture window looked out on San Francisco and the world. This was symbolic of Del and Phyllis’ expansive view of life and activism. She describes the power of the small house, going to parties there in “shifts,” because so many people wanted to attend, but couldn’t fit inside the house at the same time. Margie was also part of a group of women who took it upon themselves to help Del and Phyllis stay in their home as they aged, trying to get a chairlift installed and arranging for caregivers (or “carers” as Margie describes them). She imagines the future use of the house as an archive or retreat focused on lesbian history, broadly defined. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman and Diane McCarney oral history interview recording | Pauline Shulman and Diane McCarney oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Pauline Shulman and Diane McCarney were neighbors of Del and Phyllis from 1994 onward, across the street at Newburg and Duncan, three doors down. They had sightlines into one another’s homes from their kitchen windows. Their friendship evolved as Pauline and Diane supported them in their aging. Diane drove them to their 2004 marriage before then-Mayor Gavin Newsom, and they were their escorts to their 2008 City Hall marriage. They tell stories of the longtime goodwill of the neighborhood toward Del and Phyllis going back to the 1950s. They describe how Del and Phyllis politicized them initially through neighborhood politics related to gentrification. They give a lot of details of the furnishings and art as well as how Del and Phyllis used the garden and rooms in the house, including at the end of Phyllis’ life. They also detail the caregiving model in her later years. They describe their walkthrough video of the house after Phyllis passed, which has also been donated. They express interest in the space being recreated in ways that give the rooms “narratives” about its lived-in history for Del and Phyllis as well as an artist-in-residency and lecture/salon program, in a “living and breathing kind of way, not like a stilted sort of museum sort of thing....Something with a community spirit.” Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman and Diane McCarney oral history interview transcript | Pauline Shulman and Diane McCarney oral history interview for the Lyon-Martin House Oral History project.
ABSTRACT:
Pauline Shulman and Diane McCarney were neighbors of Del and Phyllis from 1994 onward, across the street at Newburg and Duncan, three doors down. They had sightlines into one another’s homes from their kitchen windows. Their friendship evolved as Pauline and Diane supported them in their aging. Diane drove them to their 2004 marriage before then-Mayor Gavin Newsom, and they were their escorts to their 2008 City Hall marriage. They tell stories of the longtime goodwill of the neighborhood toward Del and Phyllis going back to the 1950s. They describe how Del and Phyllis politicized them initially through neighborhood politics related to gentrification. They give a lot of details of the furnishings and art as well as how Del and Phyllis used the garden and rooms in the house, including at the end of Phyllis’ life. They also detail the caregiving model in her later years. They describe their walkthrough video of the house after Phyllis passed, which has also been donated. They express interest in the space being recreated in ways that give the rooms “narratives” about its lived-in history for Del and Phyllis as well as an artist-in-residency and lecture/salon program, in a “living and breathing kind of way, not like a stilted sort of museum sort of thing....Something with a community spirit.” Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Pauline Shulman video tour of the Lyon-Martin House | Pauline Shulman video tour of the Lyon-Martin House, supplemental material for the Lyon-Martin Oral History Project. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Kate Kendell oral history interview recording | Kate Kendell oral history interview recording for the Lyon-Martin House Oral History Project.
ABSTRACT:
Kate Kendell is former longtime (1996-2018) Executive Director of the National Center for Lesbian Rights and current Chief of Staff at the California Endowment. She met Del Martin and Phyllis Lyon in 1993 or 1994 at an American Civil Liberties Union or National Center for Lesbian Rights event. Soon after she began monthly lunches with them in their home, where they would regale her with stories and history. She discusses the home, the living room with their chairs and the view, and their kitchen nook as special places in the home. She discusses parties from the 1950s and 1960s she had heard about there, including the curtains they would put up so women would feel comfortable dancing together. Kendell also underscores the importance of the outside stairs and position of the picture window from the sidewalk, where she could wave to Phyllis in her advanced age and they would blow each other a kiss. She underscores the parallel of the house’s modesty to Del and Phyllis’s modesty as “how they moved in the world.” Kendell imagines the space being used for LGBTQ and women’s political salons, community conversations, and community gardening. Located at 651 Duncan Street in San Francisco, the Lyon-Martin House is the former home of lesbian activists Phyllis Lyon (1924-2020) and Del Martin (1921-2008). In 2021, the City of San Francisco designated the Lyon-Martin House a City Landmark in recognition of its association, through Lyon and Martin, with the lesbian rights, homophile, and marriage equality movements. |
2022 to 2023 | |
Dana & Vicious 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Back Street 1. 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Back Street 2. 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Back Street 3. 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Golden Gate 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
1 Vicious Power Hungry Bitch NU 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 4. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 6. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 8. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 9. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Plugged !. 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique aka Folsom Delight Against The Red Wall 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique aka Folsom Delight against the wall 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique aka folsom Delight Against the Wall. 2. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique as a Model 2. 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
1982 Sister Agnes Hysterecteria, membre fondatrice des SPI | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
1987 After Chariot. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
2 Vicious Power Hungry Bitch NUI 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
3 Vicious Power Hungry Bitch NUN 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Août 1982 Sister Boom Boom en campagne pour un poste de Conseiller Municipal | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
BOOM BOOM DRESSING UP 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Boom Boom Croquant le Crucifix 1 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Boom Boom Croquant le Crucifix 2 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Boom Boom Dead End ! 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Boom Boom Torture lurks under the Gate 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH BOUDDHISH 2. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH IN LOVE 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH IN SPRING 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH ISN' T ASTONISHED 1983 . JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH KAYE SERA & VICIOUS 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH MACHINEGUNNISH 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH OVER A BRIDGE 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH PARTY NUN 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH at GAY GAMES 2. 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Reverend Mother Againts the Red Wall 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Luscious Marquesa & Dana The Three Graces 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MEXICAN DONKEY 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH & BOYFRIEND 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH & BOYFRIEND 2. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH AS A REBELL 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH AS A REBELL 2. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH AS BERNADETTE. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH AT GAY PARADE 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH At GAY GAMES 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
MISH BOUDDHISH 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique in the Park 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique on the Rock 2. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique on the Rock 7. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique with Pink Lily 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique nique as a Model 1983 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Four Sisters 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
GAY BULLTERRIER 1982. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
GAY BULLTERRIER 2. 1982. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
GROUPE GOLDE GATE 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Lily White and Roma 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
CHARIOT OF NUNS 2. 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
CHARIOT OF NUNS VISH LEADING 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Fashion Model 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Golden Gate & Pink Lily 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Golden Gate 1984. 3 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Golden Gate 2. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique Golden Gate 4. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique In the Park. 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Dominique Nique Nique On the Rock 2 1984 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Lily White TIED 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes & Vicious Power Hungry Bitch In Land's End 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Back Street. 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Countessa 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Ectasy 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Flying over the City 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes On the Rock 2. 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Seagull at Seal Rock. 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Luscious Lashes Seal Rock 1. 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Marquesa de Sade Against The Red Wall 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Boom Boom Town Halling 1. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Boom Boom Town Halling 2. 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Boom Boom Vegetarian 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Boom Boom collecte aout 1982 | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Boom Boom, Dog Show 1982. JBC | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Cardio Pulmonary Ressucitation DEAD END 1983. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Dana van Equity & There's no place like Roma 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Dana van Equity & Vicious Power 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Dana van Equity Birth of a urban Venus 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Dana van Equity Black Bird 1987. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Marquesa de Sade On the Rock 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Marquesa de Sade On the Rock again 1984. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 | |
Sister Marquesa de Sade Urban Sister 1989. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1981 to 1989 |