TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Kinsey Sicks photograph [1] | Photograph of Kinsey Sicks posing before or after a show. Members pictured include: Kevin Kirkwood (Trixie), Ben Schatz (Rachel), Chris Dilley (Trampolina), and Irwin Keller (Winnie). |
2001 | |
Sylvester receiving award | Photograph of Sylvester receiving an award. In this photo Sylvester is wearing one of his sequined jackets designed by Pat Campano. |
1979 | |
Performance photograph with Dick Kramer | Photograph of the San Francisco Gay Men's Chorus performing with conductor, Dick Kramer. |
1979 | |
Lovers Too Have A Song To Sing performance photograph | Photograph of the San Francisco Gay Men's Chorus during their concert, Lovers Too Have A Song To Sing. |
1979 | |
1979 performance photograph | Photograph of the San Francisco Gay Men's Chorus performing in 1979. |
1979 | |
Sister Vicious Power Hungry Bitch-août 1979-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1979 | |
Sister Erica America août 1979-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1979 | |
Amanda St. Jaymes interview, part 2 | Susan Stryker interviews Amanda St. Jaymes, a trans woman who moved to the Tenderloin in December 1963 at the age of 19. St. Jaymes worked at the Chukker Club, a 1960s venue frequented by trans people, and later went to clerical school; in 1972, after her transition, she married and moved to Houston, falling out of contact with most of the people she'd known. In this section, St. Jaymes reminisces about Finocchio's and other venues, her time in Houston, well-known strippers and performers who crossed paths with her, the Central City Anti-Poverty Program, and her experiences transitioning. She also narrates over photos and ephemera from earlier in her life. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Aleshia Brevard interview, part 1 | Susan Stryker interviews Aleshia Brevard, an actor, model, author, theatre professor, and trans woman. In the late 1950s and early 1960s, Brevard worked at Finocchio's drag revue as a Marilyn Monroe impersonator; a trans co-worker, Stormy, helped her to begin transitioning. She lived at the edge of the Tenderloin, and although she was not a central part of the trans community there, she felt more comfortable there than elsewhere. Stryker interviews Brevard about her early drag career, her transition, and the bars and venues where she spent time. This includes extensive attention to the culture and working conditions at Finocchio's. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Amanda St. Jaymes interview, part 1 | Susan Stryker interviews Amanda St. Jaymes, a trans woman who moved to the Tenderloin in December 1963 at the age of 19. St. Jaymes worked at the Chukker Club, a 1960s venue frequented by trans people, and later went to clerical school; in 1972, after her transition, she married and moved to Houston, falling out of contact with most of the people she'd known. In this section, St. Jaymes reminisces about her Tenderloin era, describing the clientele at Compton's and Chukkers (as locals called it), her forays into sex work, police harassment and brutality, and her memories of the Compton's Cafeteria Riot. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Amanda St. Jaymes interview, part 3 | Susan Stryker interviews Amanda St. Jaymes, a trans woman who moved to the Tenderloin in December 1963 at the age of 19. St. Jaymes worked at the Chukker Club, a 1960s venue frequented by trans people, and later went to clerical school; in 1972, after her transition, she married and moved to Houston, falling out of contact with most of the people she'd known. In this section, St. Jaymes gives Stryker a tour of the Tenderloin, reminiscing about the former locations of the Chukker Club, Compton's, the El Rosa Hotel, and other places. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Aleshia Brevard interview, part 2 | Susan Stryker interviews Aleshia Brevard, an actor, model, author, theatre professor, and trans woman. In the late 1950s and early 1960s, Brevard worked at Finocchio's drag revue as a Marilyn Monroe impersonator. In this section, Brevard narrates over a series of photographs from her career in entertainment. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Ed Hansen interview, part 1 | Susan Stryker interviews Ed Hansen, a pastor who worked with young people in the Tenderloin in the 1960s, including the organization Vanguard. Hansen reminisces about Tenderloin organizing and his clients' demands and concerns, and also tells some lighter-hearted anecdotes. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Felicia "Flames" Elizondo interview, part 1 | Susan Stryker interviews Felicia Elizondo, known as Felicia Flames, who was a sex worker, drag queen, and trans woman strongly associated with San Francisco's Tenderloin district. In this section, Elizondo tells her life story; she was born in Texas and moved to San Francisco as a teenager, staying for much of her life, with the exception of an early period when she returned to Texas and joined the Army in an attempt to become straight and cisgender. She extensively describes the scene of sex workers and LGBTQ people who spent time at Compton's Cafeteria and the neighboring Chukker Club, as well as her transition, professional history, and the experience of sex work in the Tenderloin. Elizondo witnessed the 1960s cultural shift among gender-nonconforming sex workers in the Tenderloin, in which they ceased to present themselves as feminine men and embraced the identity of trans women. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Felicia "Flames" Elizondo interview, part 2 | Susan Stryker interviews Felicia Elizondo, known as Felicia Flames, who was a sex worker, drag queen, and trans woman living in San Francisco's Tenderloin district. In this section, Elizondo describes her transition as a patient of Dr. Harry Benjamin, including the medical and social aspects of the experience. During this time in the early 1970s, Elizondo left sex work and got a job as a telephone operator, transitioning on the job. At work, she felt generally accepted by her co-workers, but the experience was still isolating, patronizing, and difficult. Stryker also talks to Elizondo about the history of her evolving self-identification as the available categories changed, and about clubs, bars, and other hangouts where she formerly spent time. Finally, the camera records older photographs of Elizondo and companions. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Elliott Blackstone interview, part 2 | Susan Stryker interviews Elliott Blackstone, a retired officer with the San Francisco Police Department. In 1962, Blackstone became the department's official liaison with the LGBTQ community, and worked extensively with trans women in the Tenderloin. Stryker speaks with Blackstone about his advocacy, including his work providing education on trans life for cisgender people as well as with the National Transsexual Counseling Unit; both projects were funded by trans philanthropist Reed Erickson. She also asks for his recollections of prominent figures like Harry Benjamin, Donald Laub, Ray Broshears, and Joel Fort. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Elliott Blackstone interview, part 1 | Susan Stryker interviews Elliott Blackstone, a retired police officer with the San Francisco Police Department. In 1962, Blackstone became the department's official liaison with the LGBTQ community, and worked extensively with trans women in the Tenderloin, including the group Conversion Our Goal. Stryker speaks with Blackstone about his early life, his career, and the connections that drew him to the community as a straight and cisgender ally. The two also discuss political action surrounding Compton's Cafeteria, including his limited recollections around the famous 1966 riot.
Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Elliott Blackstone interview, part 3 | Susan Stryker and colleagues interview Elliott Blackstone, a retired police officer with the San Francisco Police Department. In 1962, Blackstone became the department's official liaison with the LGBTQ community. In this section, Blackstone tells stories about his career, explains his philosophy of policing, and reminisces about the Tenderloin activist known as Jean-Paul Marat. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Tamara Ching interview | Susan Stryker interviews Tamara Ching, a sex worker, trans woman, and native San Franciscan. Ching extensively discusses her experience of living and working in the Tenderloin, describing sex work as a source of lifelong validation and pride, despite the harassment and violence she endured as a young woman from police offers and clients. Stryker and Ching also talk about political and religious organizing in the Tenderloin. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Ed Hansen interview, part 2 | Susan Stryker interviews Ed Hansen, a pastor who worked with young people in the Tenderloin in the 1960s, including the organization Vanguard. In this section, Hansen talks about Tenderloin sex workers, police harassment, alcohol and drugs, and young gender-nonconforming people's search for identity. Portions of this interview were used for Stryker and Victor Silverman's documentary Screaming Queens. |
2001 | |
Close up Door | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Closeup of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Corner view from inside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Delivering the dome from ft mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio Bright | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Entry | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing suspended ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exposed suspended ceiling in lobby | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture base | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fort Mason Moving Window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front door with end of film number | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front doors inside looking out | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front of Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Garmisson Glass and Lou [Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Handbuilt wooden scaffolding | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Illuminated Chandelier light | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
IMAG0049 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside Garmason studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
inside lobby construction | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside the ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inspectors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Instalation of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing Paper for Photography | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing the doors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior Model Cutaway | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan [Besser] Richard J[enkins] and Albert [Marsh] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan B[esser] and Richard J[enkins] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 2 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 3 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope albert [Marsh] and ceiling panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with lou Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with richard H[onigman] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaliedascope Kim [Hick] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaliedescope richard [Evans] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Albert [Marsh] exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] and Albert [Marsh] Ceiling Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] and Lou [Galetti] fitting the dome in studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] at Front Door installation | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Designing | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] fitting a fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] in studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] installing side panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] lining up dome structure | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Lou [Galetti] Studio Chandalier | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] with fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Albert Marsh Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Celing section | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Center Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Jan Besser | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Kim Hick Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Lou Galetti Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Power of the Sun Panel Outside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Power Panel outside fort mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Richard Evans Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Richard Jenkins Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside the ceiling, above the dome | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Stellar Arts Collective | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Stellar Arts with window at ft Mason outside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
02 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
03 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
04 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
1 Kim [Hick] and Chandalier | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Activity Board | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albe[r]t [Marsh] Studio Celing Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] and Lou [Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] at exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] Kim [Hick] at Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] next to ceiling section | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] with fullsize panels laid out | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh], Richard J[enkins] and Kim [Hick] installing dome frame | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert Marsh sitting on Ladder | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Art | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Assembled Ceiling Panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Brining in Tools for installation | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 |