TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Mailings and publicity materials (2) | Mailings and publicity materials from COLAGE. |
1993 to 1996 | |
Sylvester receiving award | Photograph of Sylvester receiving an award. In this photo Sylvester is wearing one of his sequined jackets designed by Pat Campano. |
1979 | |
Performance photograph with Dick Kramer | Photograph of the San Francisco Gay Men's Chorus performing with conductor, Dick Kramer. |
1979 | |
Lovers Too Have A Song To Sing performance photograph | Photograph of the San Francisco Gay Men's Chorus during their concert, Lovers Too Have A Song To Sing. |
1979 | |
1979 performance photograph | Photograph of the San Francisco Gay Men's Chorus performing in 1979. |
1979 | |
Sister Zsa Zsa Glamour Blowing in the Wind 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Zsa Zsa Glamour On the Rock 3. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Zsa Zsa Glamour On the Rock 4. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Zsa Zsa Glamour On the Rock 5. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sisters Hellen Wheels & gladass On the Rock 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sisters Yvana Tramp & Flatulina Grande On the Rock 5. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
ZSA ZSA GLAMOUR On the Rock 3. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Zsa Zsa Glamour On the Rock 2. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Babs in Boyland 2. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
LE SPHYNX 2. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
LE SPHYNX Sister Lily White 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
SPI at FUNSTON 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Hellen Wheels On the Rock 2. 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Hellen Wheels On the Rock 3. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Lily White Horning 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Lily White in the Wind 1993. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Unkwon On the Rock 1996. JBCarhaix | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of portrait photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1993 to 1996 | |
Sister Vicious Power Hungry Bitch-août 1979-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1979 | |
Sister Erica America août 1979-J-B-CARHAIX | Photograph by Jean-Baptiste Carhaix (1946-2023), a French photographer. From Carhaix's series of photographs of early members of the Sisters of Perpetual Indulgence, an order of gay and queer nuns who incorporate religious iconography, drag, street theater, and satire in their charitable fundraising, advocacy for LGBTQ rights, and other causes. The image title is derived from Carhaix's original file title. |
1979 | |
Close up Door | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Closeup of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Corner view from inside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Delivering the dome from ft mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio Bright | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Dome in Studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Entry | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Existing suspended ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Exposed suspended ceiling in lobby | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture base | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Fort Mason Moving Window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front door with end of film number | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front doors inside looking out | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Front of Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Garmisson Glass and Lou [Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Handbuilt wooden scaffolding | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Illuminated Chandelier light | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
IMAG0049 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside Garmason studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
inside lobby construction | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside the ceiling | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inspectors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Instalation of window | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing Paper for Photography | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Installing the doors | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior Model Cutaway | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Interior model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan [Besser] Richard J[enkins] and Albert [Marsh] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan B[esser] and Richard J[enkins] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 2 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Jan Besser 3 | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope albert [Marsh] and ceiling panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with lou Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaleidescope kim [Hick] with richard H[onigman] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaliedascope Kim [Hick] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kaliedescope richard [Evans] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Albert [Marsh] exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] and Albert [Marsh] Ceiling Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] and Lou [Galetti] fitting the dome in studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] at Front Door installation | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Designing | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] fitting a fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] in studio | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] installing side panels | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] lining up dome structure | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] Lou [Galetti] Studio Chandalier | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Kim [Hick] with fixture | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Albert Marsh Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Celing section | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Center Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Jan Besser | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Kim Hick Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Lou Galetti Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Power of the Sun Panel Outside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Power Panel outside fort mason | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Richard Evans Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Richard Jenkins Photo | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Inside the ceiling, above the dome | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Stellar Arts Collective | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
01 Stellar Arts with window at ft Mason outside | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
02 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
03 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
04 Model | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
1 Kim [Hick] and Chandalier | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Activity Board | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albe[r]t [Marsh] Studio Celing Panel | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] and Lou [Galetti] | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] at exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] Kim [Hick] at Exploritorium | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] next to ceiling section | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh] with fullsize panels laid out | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 | |
Albert [Marsh], Richard J[enkins] and Kim [Hick] installing dome frame | This is a photographic slide documenting the work of the Stellar Arts Collective on "The Power of the Sun," a large-scale stained glass installation that was displayed in the State of California office building at 455 Golden Gate Avenue in San Francisco from 1979 until the artwork’s destruction in a protest in 1991. This slide is part of the collection of Richard William Evans, a Black, gay artist, community advocate, and participant in the “back-to-the-land” movement in Northern California who was a contributor to the Stellar Arts Collective. Evans's friends, in collaboration with Evans, digitized a portion of his slides before his death in 2023. This slide's title mirrors the digital file name created at the time of scanning, with surnames added in brackets by GLBTHS archivists when known. |
1979 |