TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Gay Freedom Day Parade 1976 | Gay Freedom Day Parade 1976 in San Francisco, CA. Film by Rich Weiss from the Henri Leleu collection. Leleu (1907-1996) was a gay man who was active in the San Francisco leather scene and participated in LGBTQ community groups. File name: glbths 1997-13 7 011 sc |
1976 | |
Rouder (Wendy) Papers, 2022-24 | The Arcaids Theatre was a theatre troupe composed entirely of people with AIDS and what was then called ARC (AIDS-Related Complex, referring to the broad spectrum of AIDS-related symptoms and opportunistic infections). Arcaids was founded in 1988 by Wendy Rouder, and attracted a core troupe of both professional and amateur actors. The troupe existed for about two years, during which time the players developed scripts and put on small public performances. Performances were a mix of scripted and semi-improvised material, often with a blackly comic tone, and with frequent musical interludes. This collection contains a wide range of documents: publicity materials, news clippings, rehearsal photos, brochures, scripts and improv scenarios, fliers for recruiting performers, notes from creative meetings, business documents, correspondence, and bylaws related to the management of the theater as a nonprofit. |
1988 to 1989 | |
Two Friends Talking script | A script for the skit Two Friends Talking, by Jeffrey Schmidt of Arcaids Theater. |
1988 to 1989 | |
Arcaids Theatre scripts | Scripts for Arcaids Theatre skits "The Address Book" and "Which One For Me?" Photocopier errors on later pages of "Which One For Me?" are original to the donated script, not artifacts of the scan. |
1988 to 1989 | |
Arcaids Theatre obituary piece | A list of names and obituary excerpts, used in an Arcaids Theatre performance. |
1988 to 1989 | |
Arcaids Theatre monologue script | A script for the Arcaids Theatre monologue "Shelly." |
1988 to 1989 | |
John Mosman monologue | A monologue by Arcaids Theatre company member John Mosman about his motivations in joining the company. |
1988 to 1989 | |
Arcaids Theatre performance | A performance by Arcaids Theatre. |
1988 to 1989 | |
"Getting Out" improv scenario | An improv scenario, "Getting Out," developed for the Arcaids Theatre. |
1988 to 1989 | |
Arcaids Theatre company warming up | Arcaids Theatre company members warming up. |
1988 to 1989 | |
Arcaids Theatre brainstorming session | A transcript of an Arcaids Theatre brainstorming session for a new play. |
1988 to 1989 | |
Arcaids Theatre flier | A draft flier advertising performances by Arcaids Theatre. |
1988 to 1989 | |
Wilderness Women, 1988-1989 | Wilderness Women was a monthly newsletter of outdoor and nature activities for women in the San Francisco Bay Area, published from 1981-2015. According to one of the original creators, the newsletter grew out of members’ previous involvement in lesbian birdwatching groups. The newsletter was first published as a San Francisco Bay Area chapter of Camping Women. The name was changed to Wilderness Women after the group decided to disassociate from the national Camping Women organization. Event listings included hikes for single lesbians over 50, outings hosted by the Gay and Lesbian Sierrans, camping trips throughout California, and many others. These issues of Wilderness Women are part of the GLBT Historical Society's Periodicals Collection. |
1988 to 1989 | |
Castro #1 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape depicts Castro neighborhood streetscapes and business interiors, including several antique stores, a spice shop, a clothing store, and a restaurant. It also includes an interview a gay activist, possibly Chris Perry, who was handing out whistles as part of campaign to stop anti-gay violence. |
1976 | |
Castro #3 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape includes an extended interview with Scott Smith inside Castro Camera and a tour of Lee Mentley's home art gallery, the Hulah Palace (sometimes spelled Hula Palace). |
1976 | |
Castro #2 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape depicts a ventriquist act and a drag performance utilizing yellowface at an unnamed performance venue. Yellowface refers to a tradition of theatrical and musical performance, originating in the mid-19th century, in which white actors deployed racist and stereotypical costumes, makeup, props, gestures, dialects, and musical sounds to connote ""Chineseness"" and/or ""Asianness"" and, in turn, foreigness and racial inferiority. It also includes a conversation with a man registering voters on the street, interior shots of Cliff's Variety store, and extended footage of a street theater performance. |
1976 | |
The Castro: A Definitively Biased View | A documentary short film about life in the Castro. Depicted are neighborhood streetscapes and business interiors, including several antique stores, a spice shop, a clothing store, and a restaurant; an interview with Scott Smith inside Castro Camera; a conversation with performer Pristine Condition; an interview a gay activist, possibly Chris Perry, who was handing out whistles as part of a campaign to stop anti-gay violence; a street theater performance; and a a conversation with a man registering voters on the street. |
1976 | |
1976 Castro Street Fair Original Tape 2 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
1976 Castro Street Fair Copy #1 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
Castro Street Fair 1976 Copy #3 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
1976 Castro Street Fair Original Tape 1 | Footage of the 1976 Castro Street Fair including an interview with Harvey Milk, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
Gay Health Board Elections Original | Footage of interviews with people in the Castro about the Gay Health Board Election and the Gay Health Project, made by Daniel Smith and the Queer Blue Light Video collective. Some of this clip is audio-only.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 |