TITLE | DESCRIPTION | DATE CREATED | IS FORMAT OF |
---|---|---|---|
Gay Freedom Day Parade 1976 | Gay Freedom Day Parade 1976 in San Francisco, CA. Film by Rich Weiss from the Henri Leleu collection. Leleu (1907-1996) was a gay man who was active in the San Francisco leather scene and participated in LGBTQ community groups. File name: glbths 1997-13 7 011 sc |
1976 | |
Castro #1 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape depicts Castro neighborhood streetscapes and business interiors, including several antique stores, a spice shop, a clothing store, and a restaurant. It also includes an interview a gay activist, possibly Chris Perry, who was handing out whistles as part of campaign to stop anti-gay violence. |
1976 | |
Castro #3 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape includes an extended interview with Scott Smith inside Castro Camera and a tour of Lee Mentley's home art gallery, the Hulah Palace (sometimes spelled Hula Palace). |
1976 | |
Castro #2 | Raw footage from the 1976 documentary short film The Castro: A Definitively Biased View. The tape depicts a ventriquist act and a drag performance utilizing yellowface at an unnamed performance venue. Yellowface refers to a tradition of theatrical and musical performance, originating in the mid-19th century, in which white actors deployed racist and stereotypical costumes, makeup, props, gestures, dialects, and musical sounds to connote ""Chineseness"" and/or ""Asianness"" and, in turn, foreigness and racial inferiority. It also includes a conversation with a man registering voters on the street, interior shots of Cliff's Variety store, and extended footage of a street theater performance. |
1976 | |
The Castro: A Definitively Biased View | A documentary short film about life in the Castro. Depicted are neighborhood streetscapes and business interiors, including several antique stores, a spice shop, a clothing store, and a restaurant; an interview with Scott Smith inside Castro Camera; a conversation with performer Pristine Condition; an interview a gay activist, possibly Chris Perry, who was handing out whistles as part of a campaign to stop anti-gay violence; a street theater performance; and a a conversation with a man registering voters on the street. |
1976 | |
1976 Castro Street Fair Original Tape 2 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
1976 Castro Street Fair Copy #1 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
Castro Street Fair 1976 Copy #3 | Footage of the 1976 Castro Street Fair, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
1976 Castro Street Fair Original Tape 1 | Footage of the 1976 Castro Street Fair including an interview with Harvey Milk, taken by Daniel Smith, a member of the Queer Blue Light Video collective.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
Gay Health Board Elections Original | Footage of interviews with people in the Castro about the Gay Health Board Election and the Gay Health Project, made by Daniel Smith and the Queer Blue Light Video collective. Some of this clip is audio-only.
From the Daniel A. Smith and Queer Blue Light Videotapes collection (#1999-52), GLBT Historical Society. In 2011, GLBT Historical Society volunteer John Raines digitized 79 of the nearly 100 tapes in the collection. Raines added titles (derived from notations on the physical media) and a GLBT Historical Society watermark to the videos. |
1976 | |
Letter to John Rowberry (1 of 2) | An audio letter responding to John Rowberry, editor of the gay magazine Stud Flix. Rowberry appears to have asked the speaker for information about the history of male physique filmmaking. The speaker relates his background as a film maker and editor and answers a question about various male physique films he made before he retired. The speaker then provides context for various films he is sending Rowberry, including some Gloria Holden movies and early physique films from the 1940s to the 1960s. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1986-08-08 | |
Letter to John Rowberry (2 of 2) | An audio letter responding to John Rowberry, editor of the gay magazine Stud Flix. Rowberry appears to have asked the speaker for information about the history of male physique filmmaking. The speaker provides context for past films he made, and he encourages Rowberry to write an article about Gloria Holden. He also explains why he retired, including about the nudist community he has joined in Phoenix and his desire for discretion. This material was digitized through the generous support of Larry Brenner and Angelo Figone. |
1986-08-08 |